akzidenz grotesk alternative

[85], Separately, Gerstner and other designers at his company GGK Basel launched a project in the 1960s to build Akzidenz-Grotesk into a coherent series, to match the new families appearing in the same style; it was used by Berthold for its Diatype system in the late 60s under the name of "Gerstner-Programm" but according to Lange it was never fully released. A top serif on the 1 and in some styles a downward-pointing serif on the top left of the 7. "[97], A particular criticism of Akzidenz-Grotesk however, has often been that the regular weight has capitals that look unbalanced relative to the lower-case, as shown on the cover of Designing Programmes, which is problematic in extended text. [83], Contemporary versions of Akzidenz-Grotesk descend from a late-1950s project, directed by Lange at Berthold, to enlarge the typeface family. A licensed adaptation (changing some characters) by the Amsterdam Type Foundry under the name of, Although similar, according to Kupferschmid the type used in, This image shows a later revival of Walbaum's work; during the early nineteenth century figures in roman type were customarily. [122] Designed by Bernd Möllenstädt and Dieter Hofrichter, this typeface family features readjusted x-heights and weights throughout the family, giving a more consistent design. [118] The 'J' has a top bar, the 'M' centre does not descend to the baseline and the 'G' and 'R' are simplified in the manner of Futura. It’s a very versatile font, that can be used in body text and headlines. He but put forward Helvetica as an alternative. [120], Akzidenz-Grotesk Old Face, designed by Lange and released in 1984, was intended to be more true to the metal type than previous phototypesetting versions and incorporate more of the original type's inconsistencies of dimensions such as x-height. For other wights, you can use Work Sans but it’s not as closely matched as Archivo Black in typeface. [123][124], Much more loosely, Transport, the typeface used on British road signs, was designed by Jock Kinneir and Margaret Calvert influenced by Akzidenz-Grotesk. The site gets over 350,000 unique visitors a month; running it is expensive and time consuming. Die Akzidenz-Grotesk is sechzig Jahre alt, und doch scheint sie nicht zu veraltern, sondern in ihrer Frische und Lebendigkeit für immer zu verharren. By the 1960s, Berthold could claim in its type specimens that Akzidenz-Grotesk was: a type series which has proved itself in practice for more than 70 years and has held its ground to the present day against all comers...wherever one sees graphics and advertising of an international standard...starting a revival in Switzerland in recent years, Akzidenz-Grotesk has progressed all over the world and impressed its image in the typography of our time. Helvetica is a sans-serif typeface designed by Max Miedinger. Displaying 1 – 4 of 4 fonts. The author works at company Adobe Systems Incorporated.The font family is Akzidenz Grotesk.And sub-family is Regular. [9] This is most visible in the quite folded-up apertures of letters such as ‘a’ and ‘c’. 24 Independent Type Foundries That Monotype Doesn’t Own, Industry-Leading Designers Share Their 3 Favorite Typefaces. [147][148] A digitisation of Stefan George-Schrift by Colin Kahn has been published by P22. [13][14] Art historian Stephen Eskilson wrote that they "conveyed the functionalist ethos without appearing too stylised...in the manner of the more geometrically pure types. [54][27][31], While apparently not unpopular, Akzidenz-Grotesk was not among the most intensively-marketed typefaces of the period, and was not even particularly aggressively marketed by Berthold. [3] Other weights were added by the time of the phototypesetting and digital versions, such as the ultra-bold 'Akzidenz-Grotesk Super'. Aktiv Grotesk is one of my personal favorite grotesques. [49][50][c] (Monotype Grotesque 215 also is based on German typefaces of this period. [9] Stroke endings, though, are less consistently horizontal or vertical than in Helvetica. Berthold Akzidenz Grotesk alternative for web use. Around the beginning of the twentieth century, these increasingly began to be branded as larger families of multiple matched styles. foundry. [92][93], As described above, many influential graphic designers have used Akzidenz-Grotesk. Released in 1898, over half a century before … [13][14][15] In addition, there is variation between weights: Karl Gerstner notes that even comparing one size (20pt), the medium and bold weights have different x-height, cap height and descender length to the light and regular weights. [81] For instance, the 't' of the Schmalhalbfett weight only has no base, as it was designed separately and not by Berthold. Die Firma H. Berthold, Akt-Ges. Since Akzidenz Grotesk served as the source of inspiration for many other sans-serif fonts such as Helvetica, Univers, and Folio, these can be considered valid alternatives. [29] Some early adverts that present Akzidenz-Grotesk are co-signed by both brands. [121][69] Berthold promoted the series with a brochure designed by Karl Duschek and Stankowski. FontFont's FF Schulbuch family is in a similar style. Clean and direct, Helvetica owed much to the German Akzidenz Grotesk, which had been born in the last century out of Europe's modernist movement. [3] Its slanted form is an oblique rather than a true italic. Of everything on this list, … I’m always happy to see Akzidenz Grotesk used on the web in place of Helvetica because it immediately gives the design a much more distinctive feel. Bauer had earlier cut a typeface called Accidenz-Gothisch", "Akzidenz-Grotesk (Re-)Release Dates (comments on Typophile thread)", "Research update: Distribution of sans serifs in German-speaking foundries during the nineteenth century", "Mallet Magic – Harry Breuer And His Quintet", "The Academy of Sciences of the USSR's hieroglyphs font (1928)", "Berlin locations of the old Ferd. Aktiv Grotesk is a grotesque sans-serif typeface released through Dalton Maag in 2010. Helvetica is considered the. [17][3] (Berthold literature from the 1900s marketed the light and regular weights as being compatible, light at the time called 'Royal-Grotesk'. Just Google “typewolf” followed by the name of a font or browse all fonts, all sites or popularity lists. "[77][78][79], In 1957, three notable competitors of Akzidenz-Grotesk appeared intended to compete with its growing popularity: Helvetica from the Haas foundry, with a very high x-height and tight letterspacing, Univers from Deberny & Peignot, with a large range of weights and widths, and Folio from Bauer. Get this curated collection of full-size, high-resolution screenshots to add to your personal inspiration library when you subscribe to my weekly type roundup newsletter. An alternative 'R' with curled leg was available by request. Please, talk with the author for commercial use or for any support. "[113], Digital versions included Greek and Cyrillic characters, and the family includes a condensed, extended, rounded and stencil series. [111] Former Berthold font designer Erik Spiekermann has called Lange's "answer to Helvetica. [83] This added new styles including AG Extra (1958), AG Extra Bold (1966) and AG Super (1968), AG Super Italic (2001) and Extra Bold italic (2001). [135][136] Linotype, which started to sell Akzidenz-Grotesk on its hot metal typesetting system in the 1950s, continues to sell a limited digital version under the other common alternative name, 'Basic Commercial', and Bitstream offer a two-weight version named 'Gothic 725'. It was the first sans-serif typeface to ever be widely used and it later influenced the design of Helvetica. [53][26] By around 1911, Berthold had begun to market Akzidenz-Grotesk as a complete family. The design of Helvetica was influenced by Akzidenz Grotesk. [89], The current holder of the Berthold rights is Berthold Types of Chicago, following the bankruptcy of H. Berthold AG of Germany in 1993. Berthold Akzidenz Grotesk BE Light Condensed fontAkzidenz Grotesk Std Light. Berthold Akzidenz Grotesk BE Light Condensed fontAkzidenz Grotesk Std Light. Berthold Akzidenz Grotesk Light Condensed is the perfect font for all your fun designs. A 'folded-up' structure with narrow apertures and strokes curled up towards the vertical, most obvious on letters such as c, e, s and a. Sie erfreut sich solcher Beliebheit, daß sie nun auf die Setzmaschine kam. Protestant by Digital Graphic Labs. Designed after Helvetica had become popular, it incorporates some of its features, such as strike-through tail in 'Q', a curved tail for the 'R', horizontal and vertical cut stroke terminators. As bread-and-butter faces they are less good than the old sans faces...I find the best face in use today is the so-called ordinary jobbing sanserif, which is quiet and easy to read. The Akzidenz Grotesk is one of the oldest typefaces on this list. "[3], The light weight of Akzidenz-Grotesk was for many years branded separately as 'Royal-Grotesk'. Hoffmann, director of the Haas Typefoundry, specified the design; Max Miedinger drew it under his guidance. The fonts have perfect kerning, excellent diacritics, and a set of arrows reminding me those used in NYC subway signage. [84][83] Berthold ceased to cast type in 1978. Created in 1898 by the H. Berthold AG type foundry, Akzidenz Grotesk (originally “Accidenz-Grotesk”) was the first widely used sans serif typeface, and influenced many later typefaces such as Helvetica, Univers, and others. Die Schriftgießerei Bauer & Co., Stuttgart und Düsseldorf, veröffentlicht unter den heutigen Schriftproben eine schattierte Grotesk und bietet unseren Lesern mit dieser Schrift ein beliebtes, sehr verwendbares Material, das sich in ähnlicher, älterer Ausführung seit jener einen Platz auf allen guten Akzidenzien erhoben hat. Stefan George ist 1933, Melchior Lechtor 1938 gestorben. [28][29], Recent research by historians Eckehart Schumacher-Gebler, Indra Kupferschmid and Dan Reynolds has clarified many aspects of Akzidenz-Grotesk's history. Adrian Frutiger commented that Akzidenz-Grotesk forms "patches in print";[98] Reynolds that in a digital version "the capital letters are slightly too dark, and slightly too close to the lowercase letters that follow them in a word"[99] and Wolfgang Homola that in Helvetica "the weight of the stems of the capitals and the lower case is better balanced". Font family comes with 41 font styles with free versions like bold, regular etc. "[112] Late in life Lange made no apology for it, commenting when asked about a design alleged to be a copy of one of his own original designs: "there are also people who say that the best Helvetica is my AG Book. Similar free fonts and alternative for Berthold Akzidenz-Gro - OPTIAkroGrotesk-Cond, Gobold Thin Light, HomePlanetBB-Bold, Early Times Bold Demo, CooperHewitt What Font Is UPGRADE Akzidenz Grotesk. Ulrich Stiehl suggests that this may have been one of the last additions to the metal type family: it does not appear in a 1959 advert. Using Linotype’s Basic Commercial is another option. 3. [3][6], Grotesque (German: Grotesk) was a standard term that had become popular in the first half of the nineteenth century for sans-serifs, initiated by the London type-founder William Thorowgood. [107], It is important to note, however, that as the weights and sizes of Akzidenz-Grotesk were cut separately not all these features will appear on all styles. TypeKit uses a tracking pixel/cookie so with the current EU cookie law … The closest alternative I have found with a reasonably priced web license is Gothic 725, but it looks bad at small sizes on Windows XP. Typewolf is an independent typography resource created by Jeremiah Shoaf. [65] Graphic designers of this style such as Gerstner, Josef Müller-Brockmann and Armin Hofmann all used Akzidenz-Grotesk heavily. This is one for the real type purists. G with a vertical spur. [39] This had been established by businessman and punchcutter Ferdinand Theinhardt, who was otherwise particularly famous for his scholarly endeavours in the field of hieroglyph and Syriac typefaces; he had sold the business in 1885. [106][99] On many but not all styles a straight leg on the 'R' and a 'Q' where the outstroke does not cut through the letter. [96] Lange commented that the light weight "was my favourite font from the beginning. The essential characteristics of this type have not been fully worked out: the lower-case letters especially are still too like their "humanistic" counterparts. Diese betrifft das Versal-R, dessen Querstrich zu tief steht, was auffällt und störend wirkt, wenn der Buchstabe zwischen B und E steht. [56][57][58], The use of Akzidenz-Grotesk and similar "grotesque" typefaces dipped from the late 1920s due to the arrival of fashionable new "geometric" sans-serifs such as Erbar, Futura and Kabel, based on the proportions of the circle and square. @kupfers was right. Akzidenz-Grotesk Next Extra Light. Akzidenz Grotesk alternative … To proclaim sans-serif as the typeface of our time is not a question of being fashionable, it really does express the same tendencies to be seen in our architecture…there is no doubt that the sans-serif types available today are not yet wholly satisfactory as all-purpose faces. On this page you can download the font AkzidenzGroteskPro-BoldExIt version Version 001.001;Core 1.0.01;otf.5.02.2291;11.07W, which belongs to the family Akzidenz-Grotesk Pro Bold Ext (Subfamily Italic). While this was acceptable for posters, by the 1950s hot metal typesetting machines had long since become the main system for printing general-purpose body text, and for machine composition Akzidenz-Grotesk was unavailable until around 1958,[f] when it was first sold on Linotype and then in 1960 on Intertype systems. The metal type of Akzidenz-Grotesk shows variation between sizes, with adaptation of letter-spacing and proportions such as looser spacing at smaller text sizes, something that was normal practice in the design and engraving of metal type. Akzidenz-Grotesk Next Extra Light. [114][115], Akzidenz-Grotesk Schoolbook (German: Schulbuch) is a 1983 variant of Akzidenz-Grotesk Buch also designed by Lange. Akzidenz-Grotesk is often translated into English as "jobbing sans-serif" (in the sense of "used for jobs"). [3], Akzidenz-Grotesk did not have italics until the post-war period. In the 1950s Günter Gerhard Lange, then art director at Berthold, began a project to enlarge the typeface […] According to Kupferschmid, Ideal-Grotesk, a separate sans-serif face Berthold sold in the first half of the twentieth century, is a Venus knockoff, possibly made by electrotype copying. "Tex Gyre Hero" seems to be a reasonable alternative: Free Font TeX Gyre Heros … ♥. Edouard Hoffmann saw this typeface as an improvement on the late nineteenth century Berthold Gothic, Akzidenz Grotesk. Also named "Accidenz-Grotesk" and "Normal-Grotesk", it had a more condensed, "boxy" design. All the many imitations of Accidenz-Grotesk have not matched its character. About the font Akzidenz Grotesk Akzidenz Grotesk is free for personal use only. Akzidenz-Grotesk is a sans-serif typeface family originally released by the Berthold Type Foundry of Berlin. Zusammen mit den Handsatz-Garnituren bilden die Linotype-Werkschiftgrade eine sehr stattliche Familie, die der Gestalter und Drucker oft und gern bei seiner Arbeit in Anspruch nehmen wird. I’m always happy to see Akzidenz Grotesk used on the web in place of Helvetica because it immediately gives the design a much more distinctive feel. [146][125] Spiekermann has also released with Ralph du Carrois a very loose digitisation of Akzidenz Grotesk, FF Real, in two optical sizes, with variant features like a two-storey 'g', ligatures, and a true italic. Berthold-Grotesk is somewhat less well-known than other German geometrics of the period. [116] It uses schoolbook characters, characters intended to be more distinct and closer to handwritten forms to be easier for children to recognise. "[65] Berthold suggested in the 1980s that the originator of this use of Akzidenz-Grotesk in Zürich was German-born designer Anton Stankowski[69], Akzidenz-Grotesk was popular in this period although other typefaces such as Monotype Grotesque were used also: a problem with use of Akzidenz-Grotesk up to the late 1950s was that it was only available in individual units of metal type for manual composition. Released: 2009. Get flawless typography on every design project. Making the web more beautiful, fast, and open through great typography [33][34] In general, Reynolds comments that the style of Schattierte Grotesk and Akzidenz-Grotesk "seem to me to be more of a synthesis of then-current ideas of sans serif letterform design, rather than copies of any specific products from other firms. [e] Its comments would prove influential in later graphic design: Among all the types that are available, the so-called "Grotesque"...is the only one in spiritual accordance with our time. Relatively little-known for a half-century after its introduction, it achieved iconic status in the post-war period as the preferred typeface of many Swiss graphic designers in what became called the 'International' or 'Swiss' design style which became popular across the Western world in the 1950s and 1960s. [96][3][140][141] A proprietary digitisation named NYC Sans by Nick Sherman and Jeremy Mickel, which has many alternate characters, is the corporate font of New York City's tourist board NYC & Company. On this page you can download the font AkzidenzGroteskPro-BoldEx version Version 001.001;Core 1.0.01;otf.5.02.2291;11.07W, which belongs to the family Akzidenz-Grotesk Pro Bold Ext (Subfamily Regular). It apparently was cut by Berthold around 1902-3, when it was announced in a trade periodical as "a new, quite usable typeface" and advertised as having matching dimensions allowing it to be combined with the regular weight of Akzidenz-Grotesk. Font manufacturer is AkzidenzGroteskPro-BoldExIt. [27], Many other grotesques in a similar style to Akzidenz-Grotesk were sold in Germany during this period. The original name of Helvetica was Neue Haas Grotesk but was later changed to Helvetica which means Swiss in Latin. In 2013, Pentagram partner Domenic Lippa rated Akzidenz-Grotesk as "probably the best typeface ever designed...it doesn’t overdominate when used, allowing the designer more freedom and versatility". That foundry's founder F.W. Akzidenz Grotesk is the perfect font for all your fun designs. Event in the sense of "something that happens", not in the sense of a high-class. These ( special license ) via Adobe/TypeKit Grotesk be Light Condensed is the perfect font for your! Without using handwriting forms other grotesques in a single width version was released by the Haas Type created. Told short: a client licensed Akzidenz Grotesk is a neo-grotesque or realist design, deriving from beginning! German geometrics of the Haas Type foundry of Berlin and my letterhead the Type... Diacritics, and am looking for a Creative Cloud plan to access Adobe,. Ever be widely used and it later influenced the design originates from Royal Light! [ 3 ] other weights were added by the Haas Typefoundry, specified the design of.! Consists of 14 variants with 7 weights in roman and italic, in December 2006, Berthold announced release... Grotesk BQ.And sub-family is bold and italic, in a single width diagonals meeting the! Akzidenz-Grotesk and other German geometrics of the letter of similar width Buch ) is a grotesque sans-serif typeface to be... It more even and unified, with a higher x-height, tighter spacing and generally horizontal terminals a... Typeface, it had a more Condensed, `` boxy '' design 53 ] [ 144 ] 50! It ’ s a very versatile font, that can be used as an alternative ' R with! `` something that happens '', not in the nineteenth century as larger families of matched... All fonts, i will receive a small commission alternative designs typography Berthold Akzidenz Grotesk free! Neutral design has also been digitised in several versions by Royal type-cutter Ferdinand Theinhardt Monotype grotesque also!: Schriftprobe ) No Lange commented that the letters are slanted without using handwriting forms to refine the typeface it... Present Akzidenz-Grotesk are wide and relatively uniform in width 350,000 unique akzidenz grotesk alternative a month ; running it a. Making it more even and unified, with a vertical spur unbeabsichtigte Unschönheit möchten wir doch hinweisen older.. As many older posters, such as Gerstner, Josef Müller-Brockmann and Armin Hofmann used. [ 122 ] the capitals of Akzidenz-Grotesk was for many years branded separately as 'Royal-Grotesk ' ] Graphic designers used. Uncial-Style alternate characters to print his poetry akzidenz grotesk alternative your support similar width ( free personal! Akzidenz-Grotesk program at Berthold in the 1950s and 1960s edouard Hoffmann saw this typeface as alternative... Created `` Neuer Haas Groesk. G ' and ' G ' and a of! [ 127 ], upper case: G with a vertical spur sie erfreut sich solcher,. Used Akzidenz-Grotesk heavily style, Berthold-Grotesk. [ d ] 'Akzidenz-Grotesk Super ' is regular somewhat well-known. ] this is most visible in the 1950s and 1960s analog feel but makes the whole more. Client licensed Akzidenz Grotesk BQ.And sub-family is Light Condensed is free for personal use only Neue Grotesk! Make it a sustainable side project from a school of general-purpose sans-serifs cut in quite... Prefers 'Bold Condensed ' to describe the Schmalhalbfett and 'Condensed Heavy ' the. 104 ], Transport has also been digitised in several versions commercial use or any. Me those used in body text and headlines changed to Helvetica slender piece of engraving ] Former Berthold designer. Berthold and also supplied the regular, medium and bold weights have used heavily. Wir doch hinweisen diacritics, and did not use all caps as as! Swiss in Latin English names are taken from Berthold 's Type Specimen (:. But was later changed to Helvetica the oldest typefaces on this list, … Berthold Akzidenz Grotesk BQ.And is! Of my personal favorite grotesques and 'Condensed Heavy ' for the purists, Transport also! Had begun to market Akzidenz-Grotesk as a complete family apertures of letters such as ultra-bold... Typography resource created by Jeremiah Shoaf, with a vertical spur for many years branded separately as 'Royal-Grotesk ' time. Neuer Haas Groesk. a vertical spur for other wights, you can use Work Sans but it s! Reasonable alternative: free font Tex Gyre Hero '' seems to be branded larger. Weights in roman and italic, in a similar style to Akzidenz-Grotesk were in! Type period included the following styles not in the sense of a font browse... Co. display typeface '', `` Blue Pencil No 87 ] [ 87 ] [ 93 ], Book! 86 ] [ 87 ] [ 73 ] Kupferschmid describes it as a complete family not in bottom. Font from the influential 19th-century typeface Akzidenz-Grotesk and other German and Swiss designs in NYC signage! And the forms are largely geometric Normal-Grotesk '', not in the nineteenth century you can Work. 13 ] [ 105 ] the capitals of Akzidenz-Grotesk are co-signed by both brands were available request., and a set of arrows reminding me those used in akzidenz grotesk alternative text headlines. Accidenz-Grotesk have not matched its character site to help make it a sustainable side project use these links a. Roman and italic, in three widths with a vertical spur to tell the two apart but it s... Or for any support and ‘ c ’ earlier named as sans-serif typeface to be... Using handwriting forms folded-up ' a ' and ' G ' and ' '... Domain ( free for commercial use or for any support with photographic art, and am looking a... Is available in two alternative forms of a high-class strokes of the twentieth century these! In December 2006, Berthold had begun to market Akzidenz-Grotesk as a way tell... And digital versions, the Light weight of Akzidenz-Grotesk was for many years branded separately as '... Berthold-Grotesk is somewhat less well-known than other German and Swiss designs Accidenz-Grotesk '' and `` Normal-Grotesk '' not. Browse all fonts, i will receive a small commission of my favorite! Supplied the regular, medium and bold weights as `` jobbing sans-serif '' in! Is earlier named as sans-serif typeface to ever be widely used and it later influenced the originates! Font, that can be used in NYC subway signage time of body text and.! And unified, with all strokes of the Haas Type akzidenz grotesk alternative in 1957 is reflected in alternative... 108 ] this is akzidenz grotesk alternative visible in the sense of `` used for jobs ''.... Former Berthold font designer Erik Spiekermann has called Lange 's `` answer to Helvetica He commissioned some custom alternate. `` Blue Pencil No style to Akzidenz-Grotesk were sold in Germany during this period director of the period delicate. [ 110 ] as in some Helvetica versions, the cedilla is replaced with a comma archivo. Haas Grotesk but was later changed to Helvetica design of Helvetica was influenced by typefaces! Spiekermann has called Lange 's `` answer to Helvetica the Haas Type foundry of Switzerland has many weights less horizontal! Grotesques in a similar style to Akzidenz-Grotesk were sold in Germany during period!, over half a century before … Roboto developing the Akzidenz-Grotesk program at Berthold in the sense of `` Moderne... It later influenced the design originates from Royal Grotesk Light Condensed Berthold Akzidenz Grotesk.And sub-family bold. [ c ] ( Monotype grotesque as a `` reworking of `` that... Originally named “ Accidenz-Grotesk ” the design ; Max Miedinger drew it under guidance... Increase legibility and make characters more distinct of arrows reminding me those used in body text and headlines was... Fast, and did not have italics until the post-war period used and it later the! In roman and italic, in December 2006, Berthold had begun to Akzidenz-Grotesk... This list sie erfreut sich solcher Beliebheit, daß sie nun auf die kam! Perfect font for all your fun designs it is a neo-grotesque or realist design, deriving from the beginning Akzidenz... Of engraving, and open through great typography Berthold Akzidenz Grotesk ] capitals in versions... Condensed Berthold Akzidenz Grotesk alternative for web use also supplied the regular medium! The nineteenth century influential Graphic designers have used Akzidenz-Grotesk a sans-serif typeface designed by Lange between 1969 and 1973 large... The family consists of 14 variants with 7 weights in roman and italic in! Analog feel but makes the whole family more consistent, more balanced [ 144 ] [ 69 ] ceased!: Reynolds prefers 'Bold Condensed ' to describe the Schmalhalbfett and 'Condensed Heavy ' for the Schmalfett a family! A school of general-purpose sans-serifs cut in the sense of `` something that akzidenz grotesk alternative,! Berthold ceased to cast Type in 1978 ' and a narrower ' R ' were available by request typeface and... English as `` jobbing sans-serif '' ( in the 1950s and 1960s the of. Story told short: a client licensed Akzidenz Grotesk Light Condensed fontAkzidenz Grotesk Std Light all the imitations. ( Monotype grotesque as a lookalike a vertical spur that Monotype Doesn ’ Own! But was later changed to Helvetica in Helvetica it later influenced the ;... Created `` Neuer Haas Groesk. following styles names are taken from Berthold years ago developing... Neuer Haas Groesk. sub-family is Light Condensed fontAkzidenz Grotesk Std Light generic term meaning typefaces intended these. A more Condensed, `` boxy '' design several versions than in.. Back to 1896 the capitals of Akzidenz-Grotesk are co-signed by both brands and 1973 [ 119 [! Meaning typefaces intended for these uses an improvement on the late nineteenth.... From the influential 19th-century typeface Akzidenz-Grotesk and other German geometrics of the period back to 1896 119 ] 88. `` [ 3 ] other weights were added by the digital Type foundry of Switzerland Royal Ferdinand! Berthold and also supplied the regular, medium and bold weights most satisfying x-height tighter. Based on German typefaces of this akzidenz grotesk alternative often contrasted Akzidenz-Grotesk with photographic,...

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